{"id":17548,"date":"2025-03-14T20:25:36","date_gmt":"2025-03-14T20:25:36","guid":{"rendered":"https:\/\/research.ddev.site\/?p=17548"},"modified":"2025-03-14T20:25:36","modified_gmt":"2025-03-14T20:25:36","slug":"cam-kuran-insanin-isik-arayisina-sanatsal-bakis","status":"publish","type":"post","link":"https:\/\/rc.hku.edu.tr\/kimam\/cam-kuran-insanin-isik-arayisina-sanatsal-bakis\/","title":{"rendered":"Cam Kur\u2019an: \u0130nsan\u0131n \u0131\u015f\u0131k aray\u0131\u015f\u0131na sanatsal bak\u0131\u015f"},"content":{"rendered":"

Cidde\u2019deki \u0130slam Sanatlar\u0131 Bienali\u2019nde sergilenen \u201cCam Kur\u2019an\u201d eseri, Ramazan ay\u0131nda Kur\u2019an-\u0131 Kerim\u2019in mesaj\u0131n\u0131 \u0131\u015f\u0131k ve \u015feffafl\u0131kla yeniden yorumluyor. Sanat\u00e7\u0131 Asif Khan, eserini \u201cG\u00f6r\u00fcnenin \u00f6tesiyle, bilinmeyenle ve insan\u0131n \u0131\u015f\u0131k aray\u0131\u015f\u0131yla kurulan bir ba\u011f\u201d olarak anlatt\u0131. Kur\u2019an\u2019\u0131n anlam\u0131n\u0131 k\u00fclt\u00fcrel s\u0131n\u0131rlar\u0131n \u00f6tesine ta\u015f\u0131yan eser, ziyaret\u00e7ilere benzersiz bir manevi deneyim ya\u015fat\u0131yor.<\/h2>\n

On bir ay\u0131n sultan\u0131 Ramazan, Kur\u2019an-\u0131 Kerim\u2019in bu ayda indirilmesiyle M\u00fcsl\u00fcmanlar i\u00e7in ayr\u0131 bir \u00f6nem ta\u015f\u0131yor. \u0130nsanl\u0131\u011fa yol g\u00f6stermesi i\u00e7in g\u00f6nderilen Kur\u2019an, yaz\u0131ld\u0131\u011f\u0131 ilk g\u00fcnden bug\u00fcne, sanatla i\u00e7 i\u00e7e olmaya devam ediyor. Her y\u0131l milyonlarca insan\u0131n umre i\u00e7in bulu\u015ftu\u011fu kutsal topraklar\u0131n duraklar\u0131ndan biri olan Cidde\u2019deki \u0130slam Sanatlar\u0131 Bienali\u2019nde sergilenen \u201cCam Kur\u2019an (Glass Qur\u2019an)\u201d, kitab\u0131m\u0131z\u0131n anlam\u0131n\u0131 sanat diliyle yeniden yorumluyor. I\u015f\u0131\u011f\u0131n \u015feffafl\u0131kla bulu\u015ftu\u011fu eser, Ramazan\u2019\u0131n ruhuna ve Kur\u2019an\u2019\u0131n mesaj\u0131na ayna tutuyor. 25 May\u0131s\u2019a kadar ziyarete a\u00e7\u0131k olan bienal, Ramazan ay\u0131na \u00f6zel iftar-sahur aras\u0131nda da gezilebiliyor.<\/p>\n

\"\"<\/p>\n

Asif Khan<\/p>\n

NUR SURES\u0130 35. AYET \u0130LHAM OLDU<\/span><\/p>\n

D\u00f6rt ana b\u00f6l\u00fcmden olu\u015fan bienalin en etkileyici b\u00f6l\u00fcmlerinden birisi hi\u00e7 \u015f\u00fcphesiz Al Bidayah. Bu b\u00f6l\u00fcmde, geleneksel eserlerin yan\u0131 s\u0131ra \u00e7a\u011fda\u015f sanat\u00e7\u0131lar\u0131n eserleri bulunuyor. Bunlardan birisi de yenilik\u00e7i ve deneysel tasar\u0131mlar\u0131yla uluslararas\u0131 alanda tan\u0131nan Pakistan ve Tanzanya k\u00f6kenli \u0130ngiliz mimar Asif Khan\u2019\u0131n \u201cCam Kur\u2019an (Glass Qur\u2019an)\u201d eseri. Karanl\u0131k bir odaya yerle\u015ftirilen \u0131\u015f\u0131k kayna\u011f\u0131n\u0131n \u00fczerinde sergilenen eser, cam sayfalara i\u015flenmi\u015f alt\u0131ndan ayetlerle, Kur\u2019an\u2019\u0131n anlam\u0131n\u0131 k\u00fclt\u00fcrel ve dilsel s\u0131n\u0131rlar\u0131n \u00f6tesine ta\u015f\u0131yor. Asif Khan, Cam Kur\u2019an\u2019\u0131 ve bienal yolculu\u011funu Yeni \u015eafak\u2019la payla\u015ft\u0131. Sanat\u00e7\u0131, eserin g\u00f6r\u00fcnenin \u00f6tesiyle bilinmeyenle ve insan\u0131n \u0131\u015f\u0131k aray\u0131\u015f\u0131yla kurulan bir ba\u011f oldu\u011funu s\u00f6yledi. Khan, eserin ortaya \u00e7\u0131k\u0131\u015f s\u00fcrecini, \u201cCam Kur\u2019an, kutsal bilginin do\u011fas\u0131na olan ilgim ve hissedip kolayca ifade edemedi\u011fimiz \u015feyleri d\u0131\u015fa vurma \u00e7abamdan do\u011fdu. Camla \u00e7al\u0131\u015fma karar\u0131m, Nur Suresi 35. ayetinde ge\u00e7en \u2018Nur \u00fcst\u00fcne nur\u2019 ifadesinin evrenselli\u011finden ilham ald\u0131. Eserin, kelimelere ihtiya\u00e7 duymadan derin bir anlam\u0131 iletebilmesini, do\u011frudan bir yaz\u0131ya gerek duymadan herkesle konu\u015fabilmesini ama\u00e7lad\u0131m\u201d ifadeleriyle anlatt\u0131.<\/p>\n

Her Sayfa \u0130lahi Bir Kavray\u0131\u015f Sunuyor<\/span><\/h2>\n

Eserde Kur\u2019an sayfalar\u0131n\u0131n tamam\u0131 camdan tasarland\u0131. Khan, eserin al\u0131\u015f\u0131lm\u0131\u015f kitap formunu a\u015farak ge\u00e7mi\u015fin derinli\u011fi, gelece\u011fin sonsuzlu\u011funa vurgu yapt\u0131\u011f\u0131n\u0131, bu y\u00fczden insanlar\u0131 etkiledi\u011fini s\u00f6yledi. Sanat\u00e7\u0131, eseri ve iletmek istedi\u011fi mesaj\u0131 \u015f\u00f6yle dile getirdi: \u201cKur\u2019an sayfalar\u0131 yerine 604 ince cam levha kullanarak onu bir \u0131\u015f\u0131k merce\u011fi, bir kanal olarak d\u00fc\u015f\u00fcnd\u00fcm. Her bir sayfa, evrenden gelen \u0131\u015f\u0131\u011f\u0131 al\u0131yor ve bir k\u0131sm\u0131n\u0131 geri yans\u0131tarak bizlere ayd\u0131nlanma ya da belki \u2018ilahi bir kavray\u0131\u015f\u2019 sunuyor. Bu, Yaratan\u2019\u0131n yaratt\u0131klar\u0131na seslenmesi, evrenin kendisiyle konu\u015fmas\u0131 anlam\u0131na geliyor. Cam Kur\u2019an sadece bir obje de\u011fil. Alg\u0131ya g\u00f6re de\u011fi\u015fen bir deneyim, kendi maddeselli\u011fini sorgulayan bir eser. Cam Kur\u2019an, alg\u0131 ve vahiyle ilgili iman, bilgi ve anlay\u0131\u015f\u0131n nas\u0131l s\u00fcrekli de\u011fi\u015fti\u011fini ve ancak belirli ko\u015fullar alt\u0131nda ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 sorguluyor. Vahyin kendisini yeniden d\u00fc\u015f\u00fcn\u00fcyor ve \u015fu sorular\u0131 soruyor: Bilgi \u015feffaf hale geldi\u011finde ne olur? Kutsal fikirlerle nas\u0131l bir ili\u015fki kurar\u0131z?\u201d<\/h2>\n

\"\"<\/p>\n

Eserin K\u0131r\u0131lganl\u0131\u011f\u0131 \u0130nan\u00e7 \u0130li\u015fkimize At\u0131f<\/span><\/h2>\n
    \n
  • Asif Khan, eseriyle ilgili hem M\u00fcsl\u00fcmanlardan hem de gayrim\u00fcslimlerden geri d\u00f6n\u00fc\u015flerden ald\u0131\u011f\u0131n\u0131 belirterek, \u201c\u0130nsanlar eserin \u00f6n\u00fcnde uzun s\u00fcre durup sadece onun varl\u0131\u011f\u0131nda bulunmak istiyor. Baz\u0131lar\u0131 eseri g\u00f6rmek i\u00e7in birka\u00e7 kez geri geldi\u011fini, hatta ertesi g\u00fcn bile yeniden g\u00f6rmeye geldi\u011fini s\u00f6yledi. Baz\u0131 ziyaret\u00e7iler, eserin k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131, insan\u0131n inan\u00e7la kurdu\u011fu ili\u015fkiye benzetti. Bir ziyaret\u00e7i, bu eseri bir meditasyon olarak tan\u0131mlad\u0131: Anlam\u0131n ancak sab\u0131r ve fark\u0131ndal\u0131kla ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 s\u00f6yledi. Bu geri d\u00f6n\u00fc\u015fler bana, eserimin dura\u011fan olmaktan \u00e7ok, d\u00fc\u015f\u00fcnme ve i\u00e7e bak\u0131\u015f sundu\u011funu hat\u0131rlatt\u0131\u201d dedi.\u00a0<\/span><\/li>\n<\/ul>\n

    “Cam Kur\u2019an: \u0130nsan\u0131n \u0131\u015f\u0131k aray\u0131\u015f\u0131na sanatsal bak\u0131\u015f,”<\/em> Yeni \u015eafak<\/em>, 11 Mart 2025<\/p>\n","protected":false},"excerpt":{"rendered":"

    Cidde\u2019deki \u0130slam Sanatlar\u0131 Bienali\u2019nde sergilenen \u201cCam Kur\u2019an\u201d eseri, Ramazan ay\u0131nda Kur\u2019an-\u0131 Kerim\u2019in mesaj\u0131n\u0131 \u0131\u015f\u0131k ve \u015feffafl\u0131kla yeniden yorumluyor. Sanat\u00e7\u0131 Asif Khan, eserini \u201cG\u00f6r\u00fcnenin \u00f6tesiyle,\u2026<\/p>\n","protected":false},"author":0,"featured_media":17551,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[94],"tags":[],"class_list":["post-17548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler"],"acf":[],"_links":{"self":[{"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/posts\/17548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/comments?post=17548"}],"version-history":[{"count":0,"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/posts\/17548\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/media\/17551"}],"wp:attachment":[{"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/media?parent=17548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/categories?post=17548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rc.hku.edu.tr\/kimam\/wp-json\/wp\/v2\/tags?post=17548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}